Saturday, January 29, 2011

Islam Allows Women to Cover Clothing With Style

Fashion Model Beautifull to Feast Caspian Gamis Rore Brown

Favorite Clothing Islam Kebaya The Beautyfull Special Dreses

Islamic Fashion Festival And Exhibition Beauty in Civility

Friday, January 28, 2011

Daily Diary: I kicked off Muscat Festival in Qu'rum Park and traditional Omani architecture facts to do with mud bricks and sarooj

So, last night I headed out to Qu'rum park to kick-off Muscat festival with a visit to the Omani heritage village there.

My intention was to learn to do half-tanjeem's for my Omani Kuma embroidery (I suck at these little traditional knotted stitches), to weave a palm mat to the embarassment of some, and to learn how to restore a traditional Omani house that is falling down.

I know, not your AVERAGE Muscat-Festival go-er, but this was my OPNO agenda.

First off though, I did the tourist bit and got some yummy traditionally made Omani food, and bought some freshly made laban. Not a fan of it, but some of those I was with totally are. I also nearly bought traditional Omani dresses from Dhofar, Al Wusta, and Ad Dakliyah because the prices were good, and an Omani silver anklet. But I resisted. I will be back so do not waste all my pay check at once was my thinking.

I also watched the (minscule) firework show, and strange laser neon thingies parade. I had to, because I wanted to leave at the time of both and was stuck in the traffic.

At the heritage village I plopped myself down with some Omani ladies weaving blankets and embroidering kumas. If you want to learn traditional crafts, Muscat Festival is the free-est tuition for the old arts that you can get.

After my kuma half-tanjeem embroidery was improved, and I was espousing my favourite abaya shopping haunt in MQ to a group of women "MashaAllah-ing" my abaya, I headed to the area close to where they had some rather skinny donkies pulling the traditional style well. Don't they usually use the ox for that?

Here, I found Omani men making bricks the traditional way.

First off, I learnt that once the grains were stripped from the wheat shafts, the straw was put in a pile hacked and whacked by men in a circle with heavier date frond tips smacking it into small pieces.

To make a traditional mud brick, the kind used to build the houses in Al Hamra in Ad Dakliyah region for example, you take this hay, and mix it with mud, about 60% straw and the wet clay-like mud. This is cut with a mould that slices the bricks into squares. While still wet, these mud bricks are stacked on/and with stones and they bake together in the sun, to make your structure. I need to go back for more on this, because my structure skills are weak, and I neglected to ask the precise ammount of time before another layer of bricks is added/ ie how dry do they have to be?

I also learned how to make the stronger building component in traditional Omani architecture, sarooj. Sarooj is made by making mud into cakes and burning them a series of times between coals of searing palm bark. After the mud is baked and the fire is out, it is smashed into powder and then water is added to it to make the right consistancy and thus you have a cement stronger than cement to be used to secure stones together. This is what is used to repair old falaj systems and to make Omani fortresses. I intend to diagram/sketch and label the process, as I will be, within two summers, working on repairing some old village houses belonging to MOP and his wife.

Who were with me at the festival, BTW.

MOP threatened OPNOother with divorce if she jumped on a donkey with the kids, so that SERRIOUSLY tempted her to do so, but all was well, since she was wearing a designer abaya and she didn't want to get donkey on it, and MOP would never divorce my girl.

Afterwards, we got icecream, and played with street cats in Al Qu'rum since it was a long, long walk to the car. By Omani standards anyways.

Thursday, January 27, 2011

Vintage by Mocaboutique

Website mocaboutique yang bajunya semua cantek2,....Hish, geram2...Tapi cepat jek sold out. Oh yer, kedai dia dekat Bangsar, Jln Telawi very near to Bangsar Village Shopping Mall. Kalau rasa cam dah ada kat area2 tuh singgah2 laa sebentar yer. Pasti tak rugi. Kita suka dress vintage dia sebab kita ni kurus sangat so nak cover slim terlebey tu kenalah pakai baju yang mengembang2 dan tak nak bagi dia menguncup2 ni hah..Huhu...Some picta taken:-



Harga pon not bad.So, memang mampu milik laa jugak... Promote2 tapi tak pergi lagi. Takpe, nanti ada kelapangan boleh lah menyinggah sebentar, and sambil2 tu boleh jumpa kawan lama di sana... 

Okie...Gudnite semua... Addicted to blog la skrang, mood datang mencurah2, padahal banyak kerja tudung yang memanggil2 untuk siapkan? 

Hmm, uols semua anyway nak bagitau semua ni, boleh tak dengan tak tau malunye nak suruh uols masukkan blog I yang tak seberapa ini di blog list uols...Sudi2 kanlah eh.Thanks eh....Nanti share2 blog okie...Nanti bolehlah kita share2 info skali kan?...

Okie babe..Nighty Nite!!!


Multipurpose Use





We have come out with our own Dura Accessories, it can be worn as a belt, crown headband, lanyard and upon uols creativity. Another way to wear maybe I'll show you in the next entry included with my latest video for next dura hijab way to wear it. So, please visit our durafashion.com to know more about it. Okie...

The Pop Look - I like all of it!!!

Hello uols, minat tak pop look fashion...I laa yg paling suka sangat actually... Oh yer, if you guys want to search & buy it online, you may go to http://thepoplook.com , the price was quite okie. InsyaALLAH..

Dia ada jual dress, skirt, pants, & yg sewaktu dengan kita2 ni... Uols actually kalau pakai the dress kat bawah ni boleh jek pakai skali ngan baju inner and pakai ngan pants. Wah, sangat cantik! Tak sabar nak buy from this online shop...Huhu, nak carik kat luar, hmmm...mmg ada tapi tahu je lah kita2 yang sibuk dengan beloved family ni. So, nak cepat & uptodate apa lagi, buy online je laa... InsyaALLAH, successful punya! Tapi, kena make sure the online shop really active okie...


Most of the dress yg I suka dah 'out of stock', huhu...takpe2, dia suruh kumpul duit banyak2 lagi tu. Dah lama daku tak menyopping! Semenjak buat bisnes ni, sayang betul duitnye. Alah, biasa laa tuh, dah merasa betapa susahnyakan.... Kalau tak dulu sikit2 menyopping, takper shopping slalu pon bahyer jugak...Saving sikit untuk masa depan. Tapi untuk this online shop memang I loike! 



I suka laa the pants & skirts yang they all jual. InsyaALLAH, DURA Fashion ada intention jugak nak jual skirt & pants. But before that, kena tamatkan kursus menjahit dulu...Almaklumlaa, tudung2 Dura ni dijahit oleh kami sendiri...So kami memang akan buat yang terbaik untuk DURA future. Uols doakan DURA yerk...Amin...

Omani Traditional Dress on the Runway

Oman has managed to preserve much of its original culture, including the differing and colourful varaiations of regional dresses for women. Now more or less reserved for special occasions or hidden under black abayas, the traditional dress is being reinvented and influenced by the different regions brought together in workplaces and schools. The kind of jewelry once worn by women in Dhofar is now worn by women in Buraimi, ect. Designers of the "new " traditional dress are influenced by the other regions or other media, and this has always been the case in Oman, due to the import of Indian craftsmen and trade in Zanzibar, and a policy of welcoming foriegners as valued guests.
Traditional Muscat/a form of Al Batinah regional dress is constantly adapting, but has strongly influenced the perceived form of the 'national dress' along with the interior Ad Dakliyah region. Often worn for state occasion and by school children for His Majesty Sultan Qaboos bin Said, the Al Batinah and Ad Dakliyah dresses could most commonly be considered the majority Omani dress.

Mistakenly referred to by expats and non-Omanis as "Hindu" or "Pakistani" influenced dresses, due to the predominance of the tunic top and sirwal, Omani pants, being tighter at the ankle, are in no way similar in cut to the churider pants of India, nor is the cut of the Omani tunic, though the embroideries of these dresses today, are predominately Pakistani and Indian due to the tailors originating from those countries in Muscat.

*In the 1900s it was quite common for the women of Muscat to wear the birqa face covering now more closely associated to Beduoin culture in other regions.*

Traditional Muscati dress consists of a knee length tunic dress and worn over sarwal /pants, a headscarf often fringed called waqayah or lihaf, worn under another longer rectangular scarf without fringe called the leso or a kanga by the Zanzibari/East African Omani population dependent on the textile used. Al Batinah and Ad Dakliyah Regional Dresses

Dresses of the Muscat and Al Batinah region also typically feature what are called zarrie laces running from the shoulder to the hem as a means of decoration, on the sirwal, and at the neck fastening of the tunic. This is also consistant from Muscat, Al Batinah, and Ad Daklihaya region/governates, only difference being Al Batinah and Ad Dakiliyah typically have a textile trimming the bottom of the tunic additionally called, I believe, the sinjaf??? Al Batinah usually use purple fabric to form the sinjaf traditionally, while Ad Dakliyah tunic styles are hemmed on the longer side, mid calf rather than knee length. Ad Dakliyah dresses ALWAYS include the leso and the yarn fringed warqiyah/lihaf, and this is the Omani style you will most often spot OPNO sporting.uscat style, are also, now being influenced by Western and Indian culture, as these artistic expressions below bear testment to:

Dhofari dress: The outfit worn by Dhofari women is made up of three parts: the sarwal (the trousers), the loose dress which is shorter in the front and longer in the back called abuthail "father of the tail", the shayla/headcovering. It differs from the regional dress of other parts of Oman, mainly because of the area's classical relation to the Hadramout Kingdom.
Traditionally, the sarwal were not worn in areas of Dhofar further away from Yemen, although they always WERE worn in Yemen. Today, however, women in Dhofar wear the sarwal when leaving the house. For more casual occasions they are made of cotton and for special occasions velvet, silk or another more valued textile, and often decorated at the ankle hem.
Daily worn, the abuthail dresses are made of cotton with no embellishment and with a shorter tail hemline as exampled in the below, albeit, the below being a highly embellished example of the shorter, more practical day-wear hemlines.For special occasions they are made of velvet and silk chiffons, and highly embellished with crystals or embroideries. Traditionally, black velvet was worn for the abuthail with edging embroidered with bright alternating coloured threads in pointed and straight lines. Though new styles have evolved, originally the dress had a square neckline with no sleeves, only openings in the side seams. With the back trailing behind and the front hemmed above the ankles, legend in Salalah says the dress evolved this way to erase a woman's footsteps. Of course, it wouldn't have been made of silk in the past, if the legend holds true;)
The headcovering in Salalah is traditional worn loose but is now securely wrapped, this having evolved from more Northern Omani styles.
Having just covered one of the most often produced traditional dresses reinvented by designers on the runways, after the Dhofari dress, the other dress most worn by my Omani friends who aren't ACTUALLY from Dhofar or Sur in Ash Sharqiyah region, is the traditional dress of Sur, the suri.

Ashsharqiyah Dress from Sur is traditionally of the same function as Northern Omani dress, consisting of a tunic dress and sarwal pants, but the way that these items are embellished is distinct to the region. While other Omani regions typically embellish the bottom of the tunic and its chest, this region only embelished the garment on the wrists and on the bottom hem of the Sirwal. Additional embroidery for the chest panel was left for the suri.
The suri, better described pictorially in its traditional form in this post http://howtolivelikeanomaniprincess.blogspot.com/2010/12/suris-traditional-sharqiyah-dress.html is a loosely woven (traditionally black) wide sleeved overgarment, usually extensively embroidered along the chest, and often minutely on the sleeve hems. It is worn over the embroidered traditional tunic and pants by pulling the sleeve edges up and over on the head so that they criss-cross eachother. This can leave the arms either covered to the elbow, or to the wrist, depending on how far back on the head the garment it tied/pinned. It may also be used to fully envelop the face. It is very breathable, and easy to move in and usually covers to the feet or ankles, unlike the shorter tunic worn beneath.

Barka Al Jig Baluchi dress- There are no concrete facts as to the origin of this design but popular opinion is that it originated in the city of Barka in the Al Batinah region. However, there are numerous other cities where the Baluchi women also wear this style.

Unlike traditional Baluchi dress with ruched siding seams at the waist, this dress is not worn beyond Omani borders, and the embellishments on the chest, wrists, and hem all demonstrate an Omani influence, including the two vertical lines that run from each shoulder to the hem.

This style dress usually includes a lihaf (headcovering), tighter sirawal than traditional Baluchi pants embroidered Omani style with laces and zarrie, and a mid-calf dress without set-in sleeves called a Juma. Similar to the Dhofari abuthail, it has side seam openings instead.

Although I could not find any pics of traditional Baluchi dress at this fashion show, I posted about it here:
http://howtolivelikeanomaniprincess.blogspot.com/2010/10/not-traditional-omani-dress-but-close.html

and this Muslim woman whose blog I enjoy also did: http://muhajabat.wordpress.com/2010/10/07/dress-of-the-balooch-women/


Beduoin Al Wusta Dress traditionally consisted of a long dress mainly embroidered at the wrists called a jalabiyia, with sirwal that could hardly be seen that were rarely embellsihed, and shayla/headscovering made from sheer black cotton mesh.
The burqa/facial mask is always worn by married women in Al Wusta region, and traditionally dark colours like indigo and black are preferred for the burqa.
Overtop of the jalabiyia a ghabaah is worn. A ghabaah is a fine black mesh covering worn over the full-length of the jalabiyia and unlike the Suri version, is not used to cover the hair and so, is much narrower in cut and unembellished traditionally. This covering is completely sheer but tends to protect the clothing underneath from being scratched by sand and dust.
*These are the runway fashion pics I could find thus far depicting regional dressing, though I will still endeavor to include regions thus far neglected.*
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